February gave us a number of good and great games, offering something for just about everyone. Shooter fans can enjoy the wonderfully refreshing Plants vs. Zombies: Garden Warfare. Classic arcade aficionados might gravitate toward Strider, an excellent update of a classic Capcom franchise. And those with a taste for challenging city builders can find a grim, unforgiving new take on the genre in Banished. But in the end, our deliberations boiled down to a debate over the merits of two outstanding games: the captivating Japanese role-playing game Bravely Default, and the story-focused downloadable add-on for The Last of Us, Left Behind.

　　Left Behind ultimately triumphed because the humanity of its characters and of its story isn't just uncommon in games; it's practically unheard of. It's no wonder that, in her great Wired piece called "The Videogame That Finally Made Me Feel Like a Human Being," Laura Hudson called Left Behind "the most emotionally powerful experience I've ever had in the medium." Left Behind is set during the events of The Last of Us, but while you, as Ellie, forage around a Colorado mall hoping to find the supplies you need to tend to a wounded Joel, Ellie recalls another experience she once had in a mall, an experience that may have been only a few months prior but is so far removed from her life now that it might as well have been in another lifetime.

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　　Ellie and Riley go through an awful lot together in a very short time.During the flashback sequences, we relive a time that Ellie and her friend Riley ventured into a dilapidated Boston mall, and although our time with the two of them is relatively brief, it gives us a picture of a complex, fully realized relationship. They share sad moments and funny moments and sweet moments; they laugh together and they play together and they argue with each other, and we understand them and believe in them and empathize with them every step of the way. The writing is so good, it puts the dialogue in most games to shame.

　　Left Behind is also brilliant in the way that it takes the gameplay mechanics of The Last of Us--things like throwing bricks, sneaking, and shooting--and uses them as a way for us to participate in Ellie and Riley's relationship. If you've played The Last of Us, you'll have come to associate these mechanics with fear and danger, but in Left Behind, they're often recontextualized in moments of joy and friendly competition. Ellie and Riley live in a devastated world, and they've learned how to cope with things nobody their age should have to, but they're also just teenagers, who want to laugh and have fun and fall in love. It's a poignant reminder of just how much Ellie has lost, how different her life should have been.

　　Ultimately, Left Behind is about how things are fleeting and how people are haunted by loss, but we're left with our memories, and these become a part of who we are. It's appropriate, then, that the act of playing Left Behind leaves you with so many memories of the time that Ellie and Riley spent together.

　　Related links:

　　The Last of Us: Left Behind Review

　　January Game of the Month