Avengers: Endgame has destroyed box office records since its premiere, and--if you can believe it--there's a lot from that three-hour movie that was. Whole scene were changed too, to the point that the first few drafts of Endgame's script painted a very different story. Let this be your final warning: we're about to jump into some spoilers in the following article.
The final chapter to the Infinity War saga and second to last film for the third phase of the MCU, Endgame does plenty right. Unfortunately it gets some wrong too. Endgame ends Tony Stark's story in the best way, but the movie doesn't quite honor the legacy of Natasha Romanoff or Steve Rogers. Not all of these plot points played out as they were originally planned, however. In an interview with The New York Times, Endgame screenwriters Christopher Markus and Stephen McFeely explained how many aspects of the movie were once very different.
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"There was a time when Banner became Smart Hulk in [Infinity War]. It was a lot of fun, but it came at the wrong moment. It was an up, right when everyone else was down," Markus said. "It happened in Wakanda," McFeely continued. "His arc was designed like, I'm not getting along with the Hulk, the Hulk won't come out. And then they compromise and become Smart Hulk."
"In the first draft, we didn't go back to the [original] Avengers movie," McFeely said. "We went back to Asgard. But there's a moment in the MCU, if you're paying very close attention, where the Aether is there and the Tesseract is in the vault. In that iteration, we were interested in Tony going to Asgard. He had a stealth suit, so he was invisible, and he fought Heimdall, who could see him."
The original plan was to also give Thor several long scenes with Jane Foster in Asgard. In Endgame, the two former lovers never interact, with Thor chickening out upon seeing her. This massive journey to Asgard would have changed up the composition of the designated teams for each of the other missions as well, resulting in entirely different time periods during the heist. "They went to the Triskelion at one point to get the [Tesseract], and then somebody was going to get into a car and drive to Doctor Strange's house," Markus said.
"That was one where we thought, should it be Nick Fury? We also wrote a version for Maria Hill," McFeely said.
"It didn't play well, but we had a scene in a trench where, for reasons, the battle got paused for about three minutes and now there's 18 people all going, 'What are we going to do?' 'I'm going to do this.' 'I'm going to do this.' Just bouncing around this completely fake, fraudulent scene," McFeely said. "When you have that many people, it invariably is, one line, one line, one line. And that’s not a natural conversation."
"There were moments, as they brought everybody back, where we're like, technically, Michael Douglas and Michelle Pfeiffer have [Ant-Man] suits," Markus said. "Do we bring them back? It became impossible to track the people we did bring back, but also, it's just going to be an orgy."
"Jen Underdahl, our visual effects producer, read an outline or draft where Hawkeye goes over," McFeely said. "And she goes, 'Don't you take this away from her.' I actually get emotional thinking about it."